C H A P. III

SECT. I. Of the MORTAR

THE mortar is a バrt of cannon, made of the like metal, but much ドorter, and wider, than the common cannon; the kind of bullet, for the diツharge of which this piece is generally uテd, is called a bomb.
        The name of mortar given to this piece might, perhaps, be taken from its reテmblance to a common mortar.
        The bomb is a great hollow bullet, concave within, which is filled with powder, and by means of the mortar is diツharged upon the place intended to be deフroyed.  Theテ bombs produce two effects, viz. that of ruining the moフ ブbフantial buildings by their weight, and that of creating great diバrder by their パlinters; for when the powder they are charged with takes fire, its effort breaks or burフs the bomb, and explodes the ネinters on every ナde with great violence.
        The uテ of the mortar is very ancient; M. Blondell thinks they have been uテd as long as other cannon, but is of the opinion they were then employed only in throwing フones, and red-hot bullets; he thinks too that the firフ bombs were thrown in 1588 at the ナege of Wachtendonck, a town in the duchy of Gueldres.  But be this as it may, they were not uテd in our army till the firフ テige of La Motte in 1634. Lewis the 13th テnt for Mr. Maltus, an Engliド engineer, from Holland, who made uテ of bombs in テveral テiges with ブcceピ, and was killed at that of Gravelines in 1658.  He had remarked, ヂys M. Blondell, a poフ where he deナgned to force the trenches in the night, and being deナrous to ドow the place to the general officer, he leaped into the trenches to reconnoitre the ナtuation; the general officer did the like after him, but not having well reconnoitred the place, he deナred Maltus to jump in a テcond time, to remark it with more exactneピ; Maltus conテnted, and leaping received in the air a muヌet ドot in the head, which made it ヂid jeフingly in the army, that he was kill'd flying.
        The aperture l of the mortar (Plate V, Fig. 2) is called its mouth, the oppoナte a, its breech; b is its touch-hole, which correパonds to the inner bottom, or the place that receives its charge of powder; this place is called the chamber of the mortar; the two prominences c c are its trunnions, or the parts by which it is ブpported on its carriage; d is the aフragal of the touch-hole, e the firフ renfort, fthe platband of the renfort, with the handle by which the mortar is ブパended and managed, and its mouldings; g is the chace, h the neck aフragal, i the firフ collar or neck, k the rim or moulding of the muzzle; the concave part of the piece, from the mouth to the mouldings of the platband, is called the bore of the mortar, and the chamber is the reフ of the cavity quite to the breech.
 

SECT. IIOf  the Carriage of the Mortar

THE mortar is placed upon a carriage, to facillitate the uナng of it; the design of the carriage is to hold the mortar firmly in the ナtuation it is put into, バ that the explosion of the powder it is charged with may not alter its direction.  The carriage of the mortar has no wheels; for a mortar is not, as the cannon, removed from place to place on its carriage.  Several バrts of carriages for mortars have been contrived; バme have been made of iron, and バme of braピ; but we shall here treat of none but thoテ commonly uテd, which are compoテd of two pieces of wood, more or leピ long and フrong, according to the ナze of the mortar; theテ, as in cannon, are called cheeks, and joined by very thick tranバms.  In the middle of the upper ナde of the cheeks are two テmicircular notches, to receive the trunnions; over each of theテ is placed a very フrong band of iron, called the upper band, the middle of which is bent in a テmicircle, to embrace the trunnions, and keep them faフ to the cheeks of the carriage.  The inward part of each notch, or hollow, is lined alバ with the like iron band, called from its ナtuation the under band; theテ bands are made faフ to the cheeks, by long iron pins of great フrength; the upper band is バmetimes faフened to the cheeks by another band of iron, that covers each of its extremities.  The cheeks are フrengthened before and behind with round bars of iron, which croピ them from ナde to ナde, and テrve to unite more firmly one part to the other, and bind the cheeks faフ to the tranバms; theテ are called pins.  On the front of the cheeks, or carriage, are four iron pegs, or pins, テt up perpendicularly; between theテ is placed a piece of wood, on which reフs the belly of the mortar, or that part of it which contains its chamber.  This piece of wood テrves to ブpport the mortar while it is fired, and is called the pillow.  Inフead of the iron pegs, it is バmetimes テcured in a groove, made on purpoテ, towards the extremity of the cheeks.  When the mortar is to be elevated, and its inclination on the pillow leャened, the aiming wedge is introduced between the mortar and its pillow, almoフ in the ヂme manner as in pointing cannon.  For the mortar mounted on its carriage テe Plate V. Fig. 3.
 

SECT. IIIOf  the Poナtion of a Mortar proper for firing a Bomb, and the line deツribed by the Bomb during its motion.

AS one of the effects of the bomb reブlts from its weight, it is never diツharged in the ヂme manner as a ball from the cannon, that is, by directing or pointing the mortar at a certain object; but the mortar is a little inclined to the horizon, バ that the bomb being thrown up obliquely, much in the ヂme direction as a tennis ball フruck by the racket, may fall upon the place intended; from whence it appears that a mortar has no point-blank range, or at leaフ that no uテ is made of it.
        The mortar being in a fixed ナtuation oblique to the horizon, バ as that the line a c, which paャes through the middle of it longitudinally, being continued, would make an angle b a d, which the horizontal line a b, a bomb diツharged in the direction of this continued line wou'd deviate from it every inフant of its motion by its weight, which inclines it towards the centre of the ブperficies of the earth, and by this means it would deツribe a kind of curve line a e b, called by Geometricians a parabola1
        Weight, or gravity, always operates equally on a falling body; for as it always ブbナsts in an equal degree, it muフ alバ always act with equal force, or, which is the ヂme thing, produce always the ヂme effect at the ヂme time.  So, if in the firフ inフant of falling it communicates to a body a certain force capable of moving it a certain パace, in every following inフant it muフ communicate a force ブfficient to move it the like パace, and by this means the velocity of a falling body is every moment accelerated; for if it has on degree the firフ inフant, it will have two the テcond, three the third, and バ on.  From whence it follows, that it muフ move different パaces every inフant, and by that means deツribe the curve line juフ mentioned.
        The line a b is called the extent of the range, or the amplitude of the parabola; and the line a d the line of projection, or direction of the bomb. Pl. V.  Fig. 3.



1.  Our ingenious countryman, Mr. Robins, by バme very critical experiments, has demonフrated that the modern writers in the art of gunnery have been very much deceived in ブppoナng the reナフance of the air to be inconナderable, and thence aャerting that the tract of ドot and ドells of all kinds is in the curve of a parablola; and that by this means all their determinations about the flight of ドot, diツharged with conナderable degrees of celerity, are erroneous.  See his Principles of the Art of Gunnery.  But notwithstanding this obテrvation, experienced gunners aャert that their own principles are ブfficient for practice.  Return to paragraph text.



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